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[Published on Beat.com.au, October 22 2011] The Orwellian notion of ‘doublethink’, upon which Byron Perry’s latest show is based, is a rich concept for performance. But while Orwell’s theory holds strong political connotations, describing a dualistic mode of thought necessary to retain one’s sanity under totalitarianism, Perry translates this idea into a purely visual register. […]
October 5, 2011
[Published in Beat Magazine, Issue 1289, October 5 2011] The language of words and the language of dance may appear as opposing lexicons. The first is cerebral while the second is corporeal, manifesting the Cartesian dualism between mind and body. But according to choreographer Byron Perry, their polarity, like most oppositions, is largely illusory. They […]
October 21, 2011
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